![]() ![]() 'Outboard gear' refers to rack-mounted, hardware compressors, EQ's, and effects units in the studio. This will be explained in more detail below. These are used for setting up headphones with cue mixes in the control room. The Studio Tie Lines connections are used to send audio signal out to the 1/4" plugs labelled 'Studio Tie Lines' in the tracking room. This is intended for cue mixes (for more information check the Headphones and cue mixes page!). MOTU outputs a5/7 and a6/8 are normalled to the presonus monitor station input ST2. However, these patch points can be used to send any outputs on the MOTU 828x Interface to a different destination. MOTU main L and main R (software outputs 1/2, which is the stereo output/main mix) are normalled straight to the presonus monitor station input ST1 (which then goes through the monitor mix A out into the genelec speakers, left and right). a1/3* means analog output 1 (on the hardware) but software output 3 (in the DAW), as are the same). As with the 'MOTU 828x Interface Analog Input', these outputs are numbered as hardware/software input (e.g. The MOTU outputs are used to send outputs from the audio interface (where software outputs go) to different places. As shown on the patch bay, 'MOTU 828x Interface Analog Inputs ' 1-6 (columns 17-24 on the patch bay) correspond to software inputs 3-10: this is labelled as 1/3*, 2/4*, etc. LA-4 compressor) and send the signal from the outboard gear into the MOTU (which then becomes software inputs), or send some other input signal into a specific input. For example, this can be used to send signal from a preamp into outboard gear (e.g. ![]() The MOTU 828x Interface Analog Input connections can be used to re-route any signal into the MOTU. There is no 'Mic Preamps inputs' because the XLR sockets in the control room and tracking room (what you plug microphones into) are already routed (patched) straight into certain pre-amp inputs – to send mic signal to a different pre-amp you have to plug the XLR into a different socket. ![]() The 'Microphone Preamps 3-10 Outputs' can be used, however, to send signal from the rack-mounted microphone preamps into outboard gear (hardware compressors, EQ's, effects) before going into the MOTU 828x Analog inputs or to send that signal into a different input in the MOTU 828x (other than the one that preamp output is normalled to). 'Grace 1' is directly above input '1/3*', meaning the output from the first (left-hand) Grace preamp is normalled to MOTU analog input 1 / software input 3. The most important labels/connections on the patch bay to know about are the Microphone Preamps 3-10 Outputs, MOTU 828x Analog Inputs/Outputs, Studio Tie Lines (1-4, 5-8, 9-12), and MonCntrl Cue/talk in/out.Īs can be seen (by them being directly above/below each other), the Microphone Preamps are normalled to specific MOTU 828x inputs (e.g. Unlabelled inputs/outputs have no connection attached. Therefore mic pre-amps 3-10 will come straight into MOTU inputs 1-8 (software inputs 3-10). For example, in the picture above, for columns 17-24 on the top patch strip, the Microphone Pre-amps 3-10 are normalled to (signal automatically flows to) the MOTU 828x Interface Analog Inputs 1-6. (Any exceptions that we've made are labeled not normalled). Outputs on the top rows are normalled to the inputs directly below them - this means that, without any patch cable connections, the signal will flow from the output channel above to the input channel below. Patchbays typically use a configured known as "normalling". inputs into preamps.) The control room patch bay has two rows of outputs (top row of each bay) and two rows of inputs (bottom row of each bay). output from a mic in the tracking room) and inputs are usually on the bottom row (e.g. On a patch bay, outputs are typically on the top row (e.g. The patch bay is used to control the flow of signal in the control room – to route analog signals to different pieces of hardware and tie lines. ![]()
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